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THE SIS 98'

film

· Tala and Ati (Sis) are a mother and daughter who have lived together for many years; almost 50 years, as long as the life of Sis. Their situation, however, does not last long, and the days of separation arrive. The separation happens when Sis depends heavily on her mother due to her special conditions, and Tala is trying to provide security for Ati’s future in the remaining time; a future without her presence.

IDENTITY 75'

film

· Mehdi, a 13-year-old boy, starts peddling for the first time. He is arrested by the Municipality Anti Blockage Unit officers and is taken to the beggars centre. His mother finds out and goes after him, but she faces obstacles because Mehdi has no ID

LA SALAMANDRE 119' LA SALAMANDRA

film

L'histoire se dĂ©roule dans une ville dans laquelle notre personnage succombe dans la solitude et la dĂ©ception Ă  cause de ses dĂ©sirs non accomplis. Il est un homme qui souhaite appartenir Ă  une communautĂ©. Pour y arriver, dans sa tĂȘte, il invente un “autre homme”, un homme qui peut ĂȘtre acceptĂ©. Alors, un deuxiĂšme homme est nĂ©, un deuxiĂšme homme qui prend un corps et remplace le premier. À partir de ce moment la vie ne sera plus jamais la mĂȘme. · The story takes place in a violent city where our character succumbs to loneliness and delusion of their unfulfilled desires. He is an man who wishes to belong. So, in his mind plans a "another man" who will be accepted. A Second Man born, who is projected materially and replaces him in the story.

Une pĂȘche 20' UN DURAZNO

film

La douleur Ă©motionnelle causĂ©e par la perte d' un ĂȘtre cher ou une relation est l'une des sensations que l'ĂȘtre humain veut Ă©viter ; cependant, le duel doit ĂȘtre vĂ©cue en pleine conscience pour trouver en elle la possibilitĂ© de sortir renouvelĂ©e. Commencez Ăąme tout ce qui nuit ou l'utiliser pour planter quelque chose de nouveau Ă  prospĂ©rer en nous est le dĂ©fi de ce film. Une PĂȘche solitude comme une communion personnelle , oĂč chaque Ă©tape construit l'avenir a dĂ©cidĂ© que nous allons tirer pour affronter la vie comme une fĂȘte et non pas comme une tragĂ©die . · The emotional pain caused by the loss of a loved one or a break up in a relationship is one of the sensations that humans would be able to avoid; however, the grief should be lived with full awareness to find in it a chance to emerge renewed. Tear apart everything that harms the soul or use it to sow something new to flourish within us is the challenge of this film. A peach addresses the feeling of loneliness as a personal communion, where each step builds the future to trace the future to face life as a celebration and not as a tragedy.

QUAND JE TE VERRAI 37' CUANDO YO TE VUELVA A VER

film

VICTORIA DISCOVERS ALLTHE TRUTH ABOUT HER FATHERŽS ROLE DURING THE LAST DICTATORSHIP IN ARGENTINA · VICTORIA DISCOVERS ALLTHE TRUTH ABOUT HER FATHERŽS ROLE DURING THE LAST DICTATORSHIP IN ARGENTINA

La derniùre aprùs-midi / CE QU’IL Y A DE MIEUX CHEZ LES BOURGEOIS, CE SONT LEURS VINS ET LEURS FEMMES 82' LA ULTIMA TARDE / Lo mejor de la burguesía son su vino y sus mujeres

film

Il y a une vingtaine d’annĂ©es, la rĂ©volution et l’amour ont uni la vie d’une jeune bourgeoise Ă  celles d’un militant de gauche. Dix-neuf ans plus tard, ils se retrouvent pour la signature de leur divorce. Cette rencontre affectera non seulement leur avenir, mais aussi leur passĂ©. · Nineteen years after separating, two former guerilla fighters meet to finally sign their divorce papers. They will discover how their lives and their beliefs have changed. Any event in the present brings forth the past; the private and the personal become indistinguishable from the political.